The “Anitjung” floor lamp symbolizes the idea of impermanence, reflecting the constant changes and cycles of beginnings and endings in the world around us. This project captures a fleeting moment before it fades away, merging both tangible and intangible aspects of existence. Made from natural Cao Tchu leaf fiber, pure copper, and powder-coated steel, “Anitjung” encourages viewers to appreciate the beauty of transient experiences and the emotions they evoke.
The main goal of the “Anitjung” project is to illustrate the idea of impermanence through thoughtful design. By selecting specific materials and forms, the project aims to create an object that resonates with the notion of temporary beauty, inspiring reflection on the cycles of life and our emotional connections to them.
The framework for “Anitjung” is based on the philosophical exploration of impermanence, combining ideas from various cultural traditions, particularly Buddhism. The lamp serves as a bridge between the natural and man-made worlds, inviting contemplation on the beauty found in life’s fleeting moments. This duality highlights the relationship between physical objects and the emotional responses they evoke.
The creation of “Anitjung” followed several key steps:
Materials:
The “Anitjung” floor lamp successfully embodies the essence of impermanence, serving as a physical representation of life’s transient moments. Its design invites viewers to reflect on their perceptions of time and change, highlighting the beauty found in impermanence. The project illustrates how design can effectively communicate deep philosophical ideas, encouraging contemplation on the nature of existence.
Thich Nhat Hanh. (1997). The Heart of the Buddha’s Teaching. Broadway Books.
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