Via research and experiment, this work explores the possibility of applying traditional folk culture into contemporary design including both the cultural concepts and craftsmanship. According to the design research, lack of creativity, universality, adaption, function and resonance is the common problem of current culture-related products. The concept of design is proposed based on the study of representative local heritages and comprehensive understanding of the values behind them. Material and technique experiments enable the conceptual transition of regional craftsmanship such as tie-dye to modern design practice and the study of new approaches in ceramic making. Overall, the work focuses on the folk culture of my hometown, aiming at connecting it to everyday life and investigating the possible methods to conduct traditional folk craftsmanship out of its original or historical context and endow it with new purpose and application which can enable it to fit in modern lifestyle.